Q&A: Loes Botman
“Two Swans” 2013 13046 36×59″ (91x150cm) PanPastel, charcoal & pastel sticks
Dutch artist, Loes Botman, talks about how she incorporates PanPastel in her work. Also included below is an article she wrote in Dutch magazine “Atelier” last year on using PanPastel including step-by-step images. (All paintings shown here were painted on wood panel).
Tell us about your background as an artist.
Drawing is my passion. As long as I can remember I have loved to draw! It has always been this way. I want to feel the lines, the colors as they come right out of my hands. In 1994 I became a fulltime artist, after finishing the Art Academie (Koninklijke Academie voor Beeldende Kunsten The Hague).
However, regarding drawing with pastel, I’m self-taught, I didn’t study that at the Art Academy. That was considered old fashioned and not relevant according to the teachers. For me it was a challenge. The beautiful colors but especially the opacity of the material interested me, as if the sunlight disappears in it.
“Horse” 2010 10097 47×59″ (120x150cm) PanPastel, charcoal & pastel sticks
Describe your artwork.
My work is pretty realistic with a “cheeky” touch because I sometimes use colors that are not realistic. Like a blue rabbit for example. Colors that have nothing to do with real life.
I always look around me and let myself be inspired by everyday things. Like the colors of the vegetables that I cut. Or different color cars side-by-side waiting for a traffic light. My work is always about living nature. Living nature around me touches me deep in my heart. That inner urge is so great! I just have to draw it.
“Hollyhocks” 2013 13146 36×59″ (91x150cm) PanPastel, charcoal & pastel sticks
What excites you most about your life as an artist?
My life as an artist enriches me more and more. I can be incredibly happy when I make a drawing, which I myself am surprised. A drawing that surprises me! In a way that I cannot believe I made it myself.
“Calf” 2013 13124 28×32″ (70x80cm) PanPastel, charcoal & pastel sticks
When did you first begin using PanPastel Colors?
I used to draw with pastel sticks. However I am gradually using PanPastel more frequently in my work. PanPastel significantly increases the possibilities. I can apply much thinner layers over each other through the use of PanPastel. Which allows me to create more shades. It’s about three years since I first discovered and started using Pan Pastel.
“4 Little Owls” 2013 13059 11×19″ (29x48cm) PanPastel, charcoal & pastel sticks
How do you incorporate PanPastel in your work?
Because the color strength is so great, I can use it in many situations. I always use it in combination with pastel sticks because I love the lines. I use PanPastel on paper, just normal drawing paper, and on wooden panels. Using the sponges on wood means they can wear out faster, but I take that for granted. The main advantage of PanPastel for me is being able to work in thin layers. I can work more accurately and colorfully.
Loes illustrated the children’s book “Hello Farm How Do You Do?” which was published in 2012 (Floris Books ISBN 9780863159626), and another book with 60 drawings by Loes will be published in Sept. 2014. Several postcards featuring Loes’ work are available at her website.
Loes exhibits and teaches workshops frequently in The Netherlands and Belgium. Details of upcoming workshops and exhibitions can be found at her website www.loesbotman.nl
Golden Artist Colors Acquires Two Revolutionary Professional Art Materials Brands — PanPastel® and Sofft® Tools
Golden Artist Colors, Inc. is delighted to announce the acquisition of two groundbreaking products, PanPastel® and Sofft® Tools. Co-Creators Ladd Forsline and Bernadette Ward, Colorfin LLC, have grown these products, originally introduced in 2007, into important companion products for pastel and mixed media artists alike.
Our latest Q&A is with New York City based artist Beverly Brown. We wanted to share her beautiful PanPastel paintings and to find out more about her creative process and why she uses PanPastel. Beverly used PanPastel Colors for all of the work shown below.
My grandfather was a painter, illustrator, and professor. I grew up sitting on his lap watching him draw. It fascinated me. I had an amazing (and patient, ha) art teacher in high school that nurtured my abilities and helped me create a portfolio that was awarded several scholarships to major art schools.
Lora Murphy was born in Ireland and educated in Ireland, USA and Italy. Trained as an oil painter, she now works primarily in Encaustic and mixed media. Lora teaches workshops in Contemporary Portraiture in Encaustic throughout the world and is currently working on an E-course, due to be released this year. She divides her time between Ireland and Denmark and maintain studios in both countries.